writing and the gods
My working definition of paganism is 'mans religious response to his environment'. I think once a holy text that must be differed to enters the picture that's a fundamental shift in how religion functions.
Part of the advent of Christianity tied up with moralising the gods. I think the advent of writing unintentionally changed mans relationship with the gods, suddenly all these local gods that functioned effectively alone, or in little pantheons of 2 or 3 gods could now be woven into a sweeping tapestry of family relationships that places them all in conversation with each other, but in doing this all these stories that offend societal mores come into being. They then sit there, in text, to be dissected at leisure, and judged, and found wanting compared to 'right human action'.
If before the advent of writing your local deity does something 'immoral' in some part of the myth complex that surrounds them, it's justified by it's mythic potency, the meaning it imbues into your relationship with them. That's missing in a big complex of myths that exists to fix a structure to the gods interactions with each other. It's not about the relationship between the gods and the reader, the reader is a voyeur, they play no part.
Anyway, mans response to his environment is the same today as it was 2000 years ago, humanity hasn't changed, we are simple creatures and still find the same simple things potent. Death, fire, abundance, repetition, immersion, being engulfed, intoxication, the rhythmic, etc, etc. Christianity at one time or another has claimed domain over all these things, that's the thing about a holy book though, you can go back and read it and see a lot of the 'pagan undercurrents' in Christianity are things that remain in use
(or have been 'rediscovered') because they are potent because of the kind of creatures humans are, and they don't really have much to do with Christianity at all.
.....
I don't know if it's like... an inherent property of writing that this happens, though it may be inherent in the way writing is used by people over a long enough time line. But I think there are examples of writing that is good or useful to the survival or revival of polytheism. It's just not moralising writing. The Iguvine Tablets
are a straight forward example. Alcman's Partheneia is another. Ritual texts that reference ritual rather than other texts.
I'm sitting here thinking about the relationship between ritual texts, holy books and modernist manifestos. They're all texts of instruction... but the holy book aims to convince, the prominence of logos in the bible, the importance it places on reasoning its way into your world view (after it's fashion) sets it apart from the ritual text and the manifesto. The later two are performative, whereas the holy book seeks to transform the readers understanding, to make the texts construction of the way the world operates foundational.
The performative texts exist to construct something, the way they attempt to transform the world is through what it constructed through their performance... they create new possibilities.
